INTERFERENCE
Interference is a phenomenon in which two systems overlap, producing at the point of their encounter a third one that cannot be reduced to either of them. It is not a simple sum of two orders, but a new quality that emerges only at the moment of their contact and disappears once the two systems […]
1/0
1/0 brings together Rita Osipova, Benjamin Schoones and Noa Zuidervaart at SLUG in Leipzig, a city Leibniz left at twenty and never stopped belonging to. In 1697 he sent the duke of Brunswick-Wolfenbüttel a drawing for a medallion: a table of numbers in two signs, captioned Imago Creationis, offering the arithmetic of zero and one […]
TEILS TILES
TEILS TILES — 44flavours The ceramic reliefs do not only reveal themselves through their motifs, but also through their surfaces. Lines are traces of movement, of pressure and withdrawal: incised, scraped, and worked over again in the leather-hard clay. With each additional layer of engobe, glaze, and oxide, the relationship between foreground and background shifts. […]
Object Clock
There is a long history of walking in art. There’s a long history of collecting, too – and I’m not simply referring to the acquisition of artworks via various financial transactions or otherwise; instead, I’m specifically speaking to the accumulation of items, materials, ephemera, whatever. In its very natural essence, walking is a performative act, […]
Gene’s Presents “Blue Hyperlink,” Hosted by Rumpus Room & Amy Granat
Amy Granat: Hi Jackson! So good to see you! I’m so glad we are doing this show with Josh and Keith/Gene’s and a truckload of art. And well, I’m going to jump right in and start at the beginning – March 2024, when you and I first met. How did you find me? What was […]
Original Simulations
What does it take for an artwork to be considered an original? What happens to this status when an image is copied, digitised, forged — or quantum teleported? In Original Simulations, mathematical simulations of quantum-teleportation principles transfer the information of an artwork onto its own forgery. Through the process of measurement, the first version is […]
(GLASS) CLOSET – THE PERFORMANCE BY MATTEO DE CAMINADA
[ GLASS ] CLOSET THE PERFORMANCE (+) The choreography of not being noticed is a performance by Italian artist Matteo De Caminada, first presented at Fondazione Antonio Dalle Nogare in collaboration with Transart Festival of Contemporary Cultures in 2026. The work begins as a personal account of shame, self-suppression and the necessity of leaving in […]
BURGEONING
“Burgeoning” is a dynamic descriptor frequently used in the field of agricultural economics, referring to the rapid surge in crop yields or livestock herds, akin to bamboo shoots after rain. It also points to two distinct models of proliferation in cultural and natural domains—the parasitic propagation of memes and the differential replication of biological arthropods. […]
The harvest of sorrow
A carefully arranged, scenographic space evokes feelings of nostalgia. It interrupts linear time, connecting the recent past with previous years, even decades. Emo* is back? Maybe it has never left? It only hid, transformed, and began to function under different names, attaching itself to successive aesthetic trends, changing its forms (not to be confused with […]
The Solemnity of the Repulsive
The exhibition brings together artists Daria Maiier and Sofiia Yesakova, creating a space where distinct aesthetic languages encounter shared sensibilities and experiences. Both currently based in Germany, Dariia and Sofiia studied in Mykola Storozhenko’s studio at the National Academy of Visual Arts and Architecture in Kyiv, which focused on monumental art, religious postmodernism, and an […]