i don’t know how, but it grew from me
In her solo exhibition ‘i don’t know how, but it grew from me’, Isabella Covert presents a pulsating laboratory of bodily excess. Drawing from feminist posthuman theory, the work in the exhibition challenges current notions of reproduction, gender, gestational labor, and family structures, suggesting the potentialities within alternative synthetic reimaginings of the body. Kinetically writhing […]
Treatise on the Care and Transport of Minor Lives
Entering this order, it’s difficult to clearly define its nature. The scale shifts, and reality seems to curl inward, leaving only what’s necessary. One feels as if one is in a transitional state, one that serves not for permanent exhibition, but for a brief presence “in between.” Time doesn’t unfold linearly here; rather, it thickens […]
Moeder House Musée (1;12 scale museum — Grand Opening & Group show)
Moeder House Musée is a long-term initiative developed within the framework of the a§s project. Situated between artistic experimentation, architecture, and exhibition practices, the project proposes a radical shift in order to question institutional models, curatorial practices, and the conditions under which artworks are produced, exhibited, and perceived. Moeder House Musée functions as a tool […]
The Eyes of the Skin
The exhibition of the sculpture studios at the Academy of Fine Arts in Prague is inspired by the book of the same name by architect and theorist Juhani Pallasmaa, which explores the perception of space in relation to our physicality. A return to physicality and sensory perception in all its breadth is one of the […]
Transylvanian Painting Today
Transylvania has long been considered the cultural centre of both the Hungarian and Romanian nations. Its extraordinarily diverse heritage was created by religious tolerance, pioneer settlers and the successive influence of the Roman Empire, the Holy Roman Empire and later the Austro-Hungarian Empire. In the 12th century, the Saxons founded seven historically significant fortified towns, […]
Hard Shoulders
In her Hard Shoulders exhibition, Maija Fox addresses the relationship between our culture, labour, and the individual. Her large sculptural installation is mainly constructed out of aluminium and steel and is an interaction with the gallery space and its architectural elements. Fox has been inspired by Finland’s Highway 4 and, more precisely, by a specific […]
Archive of Contact
The exhibition investigates the trace-making processes of human presence, with particular attention to the material, sensory, and spatial relationships in which presence emerges not as a fixed imprint but as an ongoing, relational phenomenon. In this context, the “trace” is not a residue or evidence but rather an event: a dynamic interplay between bodies, materials, […]
Real Objects (the most exciting thing that happened since before I was born!)
Hi! Thank you for coming. My name is Shamadhi. This show came together through the hands, wills and spines of many. It is difficult to believe in anything these days, I write that with a heavy heart. And so, I believe, it is as difficult as it is important to remember that for as long […]
SOLVE ET COAGULA / ROZPUŚĆ I SCAL
“Solve et coagula” examines contemporary rituals — both everyday and intuitive, as well as those rooted in ancient practices that reconnect the human being with the earth, community, and the transformation of matter. The artists show that rituals have not disappeared; rather, they have taken new forms in which gestures of exchange, sacrifice, and memory […]
Where do pigeons sleep?
Through visual studies of urban pigeons, Oksana Sadovenko (a Ukrainian artist living in Bratislava) addresses fundamental themes of loss of home, nomadism, and the search for identity. Her work began with an investigation into the places where pigeons sleep. This imagined “pigeon dormitory” soon became a metaphor for a safe shelter— something that, in the […]