Nog Sinal

Negay Dgedee is a gibberish word created by AI image generators and Nog Sinal is the outcome when those same image generators try to say No Signal. My interest does not lie in AI itself, but the uncanny glitches it produces. Mutations are standard, creating unexpected ruptures with form and intention. It is a horror […]
Houses Without Eyebrows

Ornament is wasted manpower and therefore wasted health. It has always been like this. But today it also means wasted material, and both mean wasted capital. Adolf Loos, Ornament and Crime, 1908 Ornament and Crime, Penguin Books, London, 1997 A well-designed multi-family building is an aesthetic, optimized architectural concept, incorporating simple, cost-effective construction solutions and […]
PHOENIX OUT OF THE ASHES

The exhibition PHOENIX OUT OF THE ASHES (Facets of Transformations) is dedicated to the themes of rebirth, renewal, and metamorphosis. It offers a multifaceted perspective on the motif of the phoenix, which in many cultures is considered a symbol of eternal renewal. Based on the notion of decay and end, the works reflect the inevitable […]
Amenities

Both artists in Amenities attempt to slow down infrastructure by placing the human body in-between infrastructure and its functions. Zurita’s action of kissing a miniature Empire State Building infantilizes an iconic building while caring for it. By kissing it, she establishes a desire to incorporate it within herself; similar to the hosting of life. In […]
Ghosts don’t die, they archive

Fusilli Pot is pleased to announce the launch of a group exhibition “Naked lunch “。 The exhibition draws inspiration from the Thai legend of Mae Nak, the “ghost wife,” a female specter continually rewritten by culture—created and retold in the fissures between history and imagination. The recoil she generates continues today in more abstract forms: […]
Fibres

The site-specific installation focuses on exploring the Chrudimka River and the surrounding river landscape, addressing the themes of instability and regrowth. The choice of materials refers both to traditional techniques of water impregnation and purification (burnt wood and charcoal), and to human infrastructures and transience.
Subject to change

—————— wants to appear. Though no place in particular is necessary, it will fill up what it’s given. If you faint out of shock, it will overgrow the room, pressing you to the walls, absorbing all of you and so too the room. It will move on, hoping, and ask someone else: “paint me”. They […]
Of all the familiar faces, I remember my own the least

It is difficult to say definitively whether there is an objective reality in which things exist independently of our minds. Solipsistically speaking, it is difficult to even determine whether anything exists at all independently of our mind. Although a good argument for the questionable nature of this doubt is language – because who needs a […]
Congratulations, It’s Growing

1#To moon is to stage the body as a site of refusal. If the humoresque is laughter steeped in sadness, then mooning is its perfect choreography: a brief lifting of the weight of the world, trousers down, gravity winning, absurdity revealed. The mooning body is not only mocking power but mocking itself, knowing that revolt […]
Large Margin

Large Margin is an exhibition of new painting and print-based work by JacksonDaughety. The work explores the psychological terrain shaped by mediasaturation, consumer culture, and the aesthetics of abundance. Through images chosen for their sense of ambiguity and spectacle, the fiction on which our society stabilizes itself is put under uncomfortably close inspection. LargeMargin looks […]