In her solo presentation, Weep Holes, Sarah Entwistle engages the qualities of E-WERK’s underground rooms within her sculptural installations. Patina, decay and industrial residues become material and formal agents in her work. In this process a series of provisional, interconnected assemblages made from recycled fragments, ceramics, textiles, archival material and live ambient sound is created.
The title references letters between her great-grandmother, Viviane, and grandfather, Clive, about water ingress, material collapse and repeated repairs. Entwistle links her sculptural structures to bodily porosity and our interconnectedness. She understands her assemblages as open-form structures that create resonant spaces between architecture, the body and memory, extending feminist materialist practices.