(..)In To all the sprouts that chant at night, the artist dives into a new branch in her exploration of how value is defined and how this in turn manifests itself materially. In the sculptural scenography presented, spouts of glass are seemingly stretching towards the sky. Lindgren has rendered the seedlings in a liminal phase – no longer seeds lying protected by the earth, not yet bloomed into maturity. This attentiveness to ongoing processes and reoccurring cycles, echoes writer Ursula K. Le Guin’s notion about the narratives we use to tell stories and make sense of the world: “[…] Lindgren’s sculptural journal connects the material and corporeal to the historical, the cosmological and the spiritual. She encourages us to listen for the chants of our surroundings, so that we to, may feel the trembles of the world.