Camille
Camille is a second solo exhibition of Ant Łakomsk’s at the Turnus Gallery. The collection of works presented in the exhibition is a development of the theme of self-representation present in her painting. The artist reflects upon the issue of exposure – both the image as seen by others and exhibition strategies. The arrangement of […]
Spazio Liminale
Liminal Space is a project rooted in the concept of transition, a suspension where forms oscillate between weight and lightness, between organic matter and imagination, holding the possibility of a metamorphosis awaited—or merely hoped for. Affinities remain hostile: fragments of a dialogue that resist full deciphering, inviting to be felt rather than understood.
Youjin Yi @park
Youjin Yi (born in 1980 in Gangneung, South Korea, lives and works in Munich) studied Korean painting at Sejong University, Seoul, and from 2004 to 2011 painting at the Academy of Fine Arts Munich with Günther Förg. Her works have been exhibited in numerous exhibitions in Germany and internationally, including in Seoul, Berlin, Paris, and […]
Peter Bilder
We’re pleased to present “Peter Bilder”, a solo exhibition of new works by Oscar Enberg (b. 1988 in Christchurch, New Zealand). This is the artist’s first exhibition with the gallery.
Les fondations mouvantes
The exhibition draws inspiration from flawed, shattered utopias and impossible desires – grand dreams of space conquest, colonisation of Mars, or new spaces for artistic creation. Infused with science fiction narratives, it offers a form of archaeology of the future and tells us that we still believe in the power of fiction over reality, in […]
Handful of Dust
Handful of Dust is a reflection on what remains when meaning fades. The exhibition explores untranslatable fragments, obsolete gestures, and materials that continue to exist even after their function has been lost. It is not about nostalgia or archaeology, but about residues — things that have fallen out of time yet still quietly persist. The […]
Swarming Tongues
The exhibition centres itself around the medicalisation of feeling, anxieties of late-stage capitalism, the decay of intimate connections, and the search for survival strategies in the environment of emotional excess. Compressed, repeatedly stretched, and forcefully shaped fondant refers to the body as a space of exhaustion and simultaneously rebellion, in which nihilist hope does not […]