Fall
Titled Fall, a word whose meaning slips from seasonality to the physical pull of gravity, Océane Bruel’s exhibition draws on the resonances between cultivation cycles, sculptural processes, and the lived experience of chronic illness. With a material and spatial approach she develops a sculptural language that invites attention and haptic perception. Rooted in everyday-life her […]
BIGOTRY IN EVOLUTION
Bigotry in Evolution is an exhibition by Matteo De Caminada, first presented at Kleine Galerie Bozen, that confronts the contemporary resurgence of bigotry as a global, evolving force. Across continents, reactionary ideologies are no longer fringe; they are reorganising themselves, gaining power, and reshaping public life.What we are witnessing is not a return to the […]
The Blind Man
Andreea Anghel’s exhibition “The Blind Man” treats the archive as a living, creative process. Its title alludes to the 1917 Dadaist magazine “The Blind Man”, founded in New York by Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood. Yet the exhibition is not a continuation of Dadaism. Anghel does not quote history; instead, she draws on […]
COMPANION
…I want to be as good a companion as marigolds are… Bogna Luiza Wisniewska (b. 1988, she/her) is a soft-hearted person who lives and works in Helsinki. She works with painting, ceramics, textiles, installation, and gardening. Her practice is rooted in care, fragility, and queerness, often using the garden as a lens to explore creation […]
ÆTHER
Adjust, arrange, divert, combine. Gesture after gesture, forms emerge. Ephemeral and composite, between recovery and intuition. They draw on what is there: gathered objects, everyday materials, available fragments. A shiver runs through the matter, a subtle vibration. Motifs appear, layer upon layer, Recurring, cyclical, assembled. Like memories that insist, persist. Fragile compositions that activate a […]
Más existe lo que no aparece (What Exists More Is What Does Not Appear)
Más existe lo que no aparece Juan Gugger at Galería Satélite curated by Mercedes López Moreyra. “(…) I can more or less understand—or imagine—the fatigue of materials: atoms loosening, electrons running out of battery, some dying and leaving gaps where others’ orbits bend, the void filling with fine dust, masses cracking with age… But forms? […]