Fire, Water, Earth, Pain is an intermedia exhibition that understands pain as a fundamental natural condition and a processual force that transcends binary divisions between the human and the natural, between the subject and the environment. The three spatial installations stem from the idea that pain is not merely a bodily or sensory experience, but a material-discursive process that emerges in the transitions between the individual, the community, natural substances, and the environment.
In the exhibition, pain appears as the interlacing of fabric, as preserved artifacts in water, or as vibrations within space. Through selected materials, the artist reveals that pain does not disappear but continuously transforms, accumulates, and resonates within the relations between bodies and their environments. The project thus highlights the reciprocity between nature and the human and offers a way of understanding pain as a fundamental dynamic that organizes both natural and cultural systems.