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The young child which lieth in the cradle is both wayward and full of affections; and though his body be but small, yet he hath a great heart, and is altogether inclined to evil… If this sparkle be suffered to increase, it will rage over and burn down the whole house. For we are changed […]
Fountains (Where the Flood Begins)
Fountains, 2025 (Where the Flood Begins) Andreas R Andersson at Råneå Konsthall, Sápmi, Sweden 20th December 2025 – 26th of January Exhibition Text: Four teddy bears sit on pedestals. Made of polyester and cotton, they once belonged to a world of comfort, protection, childhood and intimacy. Now they appear torn, contaminated, and heavy with a […]
can you stand the rain
When we talk about the weather, we often unconsciously adopt an anthropocentric perspective. Too cold, too hot too humid, or too windy—the quality of the weather is often judged by how much inconvenience it causes to our lives. The exhibition adopts a decentralized, post-anthropocentric perspective, attempting to explore and consider the deeper meaning of weather […]
FEATURES OF THE LIVING Act II
When can we speak of a living being? What are the essential criteria of life? Where are the limits of definition?
Fall
Titled Fall, a word whose meaning slips from seasonality to the physical pull of gravity, Océane Bruel’s exhibition draws on the resonances between cultivation cycles, sculptural processes, and the lived experience of chronic illness. With a material and spatial approach she develops a sculptural language that invites attention and haptic perception. Rooted in everyday-life her […]
Archives of Desire
The group exhibition ‘Archives of Desire’ is based on the idea that waste is not merely a by-product, but a driving force of capitalism. The works on display transform discarded items into artistic material. They draw on the seductive aesthetics of consumer goods and reveal their hidden appeal. Instead of idealising nature or viewing waste […]
BIGOTRY IN EVOLUTION
Bigotry in Evolution is an exhibition by Matteo De Caminada, first presented at Kleine Galerie Bozen, that confronts the contemporary resurgence of bigotry as a global, evolving force. Across continents, reactionary ideologies are no longer fringe; they are reorganising themselves, gaining power, and reshaping public life.What we are witnessing is not a return to the […]
The Accountant
In his installation for Kunstverein Dresden, Tobias Izsó (1997, Vienna) creates a sculptural environment that oscillates between material contradiction and social construction. Assamblages and objects are displayed throughout the exhibition space as if they had slipped out of someone’s diary – enigmatic items of personal inventory, some deeply private, others very public. They complement each […]
gestohlen bleiben
Kaiserwache is pleased to present “gestohlen bleiben,” the solo exhibition by Mirjam Walter. The exhibition brings together new works on paper as well as several site-specific interventions utilizing glass, and continues Walter’s engagement with the tensions between body image, perception, and gestural painting. The starting point is consistently a struggle with figuration: an attempt to […]
The Blind Man
Andreea Anghel’s exhibition “The Blind Man” treats the archive as a living, creative process. Its title alludes to the 1917 Dadaist magazine “The Blind Man”, founded in New York by Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood. Yet the exhibition is not a continuation of Dadaism. Anghel does not quote history; instead, she draws on […]