gestohlen bleiben
Kaiserwache is pleased to present “gestohlen bleiben,” the solo exhibition by Mirjam Walter. The exhibition brings together new works on paper as well as several site-specific interventions utilizing glass, and continues Walter’s engagement with the tensions between body image, perception, and gestural painting. The starting point is consistently a struggle with figuration: an attempt to […]
The Blind Man
Andreea Anghel’s exhibition “The Blind Man” treats the archive as a living, creative process. Its title alludes to the 1917 Dadaist magazine “The Blind Man”, founded in New York by Marcel Duchamp, Henri-Pierre Roché and Beatrice Wood. Yet the exhibition is not a continuation of Dadaism. Anghel does not quote history; instead, she draws on […]
Corpus
«To see a body is precisely not to grasp it with a vision [ . . . ] sight is fragmentary, fractal, shadowy. And anyway, the body is seen by a body.» Jean-Luc Nancy, ‘Corpus’ With her body of work ‘Corpus’, Anastasiia Sviridenko gifts us some physical evidence of the infinite number of aspects of […]
KISS
Robertas Narkus is an interdisciplinary artist whose work brings together photography, video art, performance and installations, where the logic of everyday life intertwines with subtle absurdity. He describes his practice as “the management of circumstances in the economy of chance” – emphasizing the constant tension between planning and unpredictability, structure and chaos. Through diverse media, […]
COMPANION
…I want to be as good a companion as marigolds are… Bogna Luiza Wisniewska (b. 1988, she/her) is a soft-hearted person who lives and works in Helsinki. She works with painting, ceramics, textiles, installation, and gardening. Her practice is rooted in care, fragility, and queerness, often using the garden as a lens to explore creation […]
Names
Patience (game)
‘What is the probability of knowing the probability, of knowing it too well, of knowing it too early, of knowing what will happen, of knowing before others know, of knowing before it happens, of knowing and still waiting, of waiting and still knowing?’ – Jaakko Pallasvuo, Fortune, 2025 The experience of entering an abandoned building […]
WHAT IF GOAT WAS ONE OF US?
G.O.A.T. She would wear the horns branded on her like a crown until they became one. By the majesty of the crown, she will elevate life—the one that is constantly hatching. No longer is she an outcast. The prayers have been answered. She listened to them. She has chosen her flock. Strong in each and […]
Deux vérités, un mensonge (Two Truths, One Lie)
Elouan Le Bars’ films, shot in live action or using 3D modelling, are developed from documentary material (testimonials, interviews, digital artefacts, found objects, etc.). They are often integrated into immersive installations in which everyday objects symbolise the power dynamics at play in environments such as museums, offices or even rage rooms. Through this back-and-forth between […]
SUCK MY CODE!
Körperlichkeit, Glitch, Kapital seit den 1990ern Die Gruppenausstellung SUCK MY CODE! in der Exhibit Galerie der Akademie der bildenden Künste Wien eröffnet einen glitchigen Erfahrungsraum, in dem digitale Körperlichkeit im Spannungsfeld von Kapitalisierung und Sexualisierung verhandelt wird. Neben den Pionierinnen der cyberfeministischen Kunst VNS Matrix sind Arbeiten von Absolventinnen der Akademie wie Christiane Peschek und […]